ursula

yugoexport presents tonic

10 june–3 july 2026

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Yugoexport Presents Tonic | Ursula | 2026 | palace enterprise
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Yugoexport Presents Tonic | Ursula | 2026 | palace enterprise
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Yugoexport Presents Tonic | Ursula | 2026 | palace enterprise
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Yugoexport Presents Tonic | Ursula | 2026 | palace enterprise
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Yugoexport Presents Tonic | Ursula | 2026 | palace enterprise
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Yugoexport | Corner Vase | 2015
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Yugoexport | Corner Vase | 2015
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Yugoexport Presents Tonic | Waiting Objects | 2016-ongoing
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Yugoexport Presents Tonic | Waiting Objects | 2016-ongoing

Ursula
Yugoexport Presents Tonic

This summer, Yugoexport presents the founding objects of a Shanghai-based art collective, Tonic, at palace enterprise. The exhibition draws on cinematic memory space from Irena Haiduk’s film Nula (2028), installed in the gallery as a living room called Ursula, named after two Ursulas: the author Ursula K. Le Guin (whose book The Dispossessed imagined a society without possessions) and Ursula, the fictional sea witch (who in the global imaginary commons transacts legs for voice in Walt Disney’s rendition of The Little Mermaid).

Tonic’s Host Zipper Sofa System (2026) and Waiting Objects (2026) are available for use, devised by Irena Haiduk and produced with Jiantong Zhao. The exhibition also features works by Yugoexport, a blind and non-aligned oral corporation whose founding logic is equivalence, loyalty, and familial solidarity between people and things.